Why Do We Need International Exchange Programs?

Join five young choreographers who participated in this year’s International Young Choreographer Project in Kaohsiung, Taiwan, as they reflect on their experience and its vital necessity in today’s world.

Featuring: Featuring Yuchi Chen (Taiwan), Maybelle Lek (Singapore), Alice Ma (Hong Kong), Tung-chun Hsu (Taiwan) & Mohd Nuriqram (Malaysia).
Moderated by I-Fen Tung.
Organiser: World Dance Alliance Asia Pacific.

Date: Friday 20 September
Time: 13:30 TPE (UTC +8)
Find your local time zone here

Platform: Zoom
Length of session: 90 minutes max
Register for the Zoom session here: https://forms.gle/jWuZym7w43MToaGS8

Participation is free. Only registered participants will receive the link to the Zoom discussion.

About the Session

Dance is indeed a profound physical experience that cannot be fully captured through a screen. The International Young Choreographer Project (IYCP) being able to gather again is incredibly exciting. The opportunity for dancers to interact face-to-face, share ideas, and experience the atmosphere of the event is invaluable. The isolation and restrictions during the pandemic have made us cherish such opportunities even more. This gathering inspired countless new ideas and innovative dance works!

IYCP comes to its 25th year, it’s a remarkable milestone. Its longevity demonstrates its significant impact and solid presence in the dance world. Over 25 years, it has witnessed the growth of countless dancers and the evolution of dance, potentially driving many innovative choreographies and performances. Such an event not only provides a platform for young choreographers to showcase their talents but also fosters global dance community exchange and collaboration. Each era finds its inspirational dialogue through such activities, and for young choreographers, this experience undoubtedly lays a solid foundation for the future development of dance.

We invite five young choreographers from IYCP this year to share their insights and experiences firsthand. Perhaps, after nearly two months since July, there is a more profound and extended reflection on everything that has occurred.

About the International Young Choreographer Project

Since 1999, Asian Young Choreographer Project (named as International Young Choreographer Project/IYCP after 2009) has attracted more than 60 young choreographers from around the world. More than 300 dancers have been gathered in Taiwan, and around 70 dances have been created. Originally based in Taipei, for the better development of modern dance in southern Taiwan, the project has moved to Kaohsiung since 2005.

Established by Man-Fei Lo and later managed by Ra-Jung Liang, IYCP is currently led by Yunyu Wang and Su-Ling Chou, with the support from private as well as government organizations such as National Culture and Arts Foundation, Chin-Lin Foundation for Arts and Culture, Bureau of Cultural Affairs of Kaohsiung City Government, Tsoying Senior High School, and Tso’s Dance Association.

This year, five choreographers from Australia (WDA Asia Pacific), Malaysia (WDA Asia Pacific), Hong Kong (WDA Asia Pacific), Singapore (WDA Asia Pacific) and Bangladesh (WDA Asia Pacific), and three from Taiwan were selected. Tso’s Dance Association will continue to promote IYCP in bringing the dance in Taiwan to the international stage.

About the Panel

Moderator

I-Fen Tung (Networks Co-Chair of Creation and Presentation, WDAAP)

Tung I-Fen is a choreographer, performer, educator and curator. Tung works in various contexts, including dance, theater, film, contemporary music and technical art, among others, while laying her artistic practices in the agency and intersections of humanity, society and nature.

Tung has been an artist-in-residence at Cite Internationale des Arts in Paris, Colorado College and George Washington University in the USA. From 2020, Tung started to curate the program and host several projects such as Dance Park platform for freelance dancers, Unboxing: Live Art Arena for freelance artists, performing art program for Nuit Blanche. Since 2006, her works have been presented in London and Paris, as well as in Spain, the USA, Hong Kong, Singapore, Malaysia, the Philippines, and India. Tung also participated in several interdisciplinary productions, such as Dear John which won the performing award of 12th Taishin Arts Award. She is currently a full-time lecturer at the University of Taipei.

Speakers

YuChi Chen

Yuchi Chen, born in Changhua City, Studied at National Taipei University of the Arts. He is currently a freelance artist. From 2019 to 2024, he was performing with MIR dance company under direction of Giuseppe Spota in Gelsenkirchen Theater in Germany, He has worked with choreographers such as Marcos Morau, Felix Landerer, Anat Oz and Fernando Melo and many others. His choreographic work, “The Piece on your Seat,” was selected for the dance film screening at the 2022 SWEAT Hong Kong International Dance Festival.
*photo credit: 瑪加多里歐斯·伊莎貝爾 Machado Rios Isabel

Maybelle Lek

Maybelle Lek (b. 1996) is a Singaporean dance artist based in Spain, specializing in performance, choreography, and education. After earning her Master’s Degree from the Northern School of Contemporary Dance (UK), Maybelle performed with T.H.E. Second Company and Nagi Contemporary Dance Corps, where she has made significant influences in the Singapore dance scene. Maybelle’s work embraces the transformative power of imagination, creative risk-taking, and the continuous exploration of physical and emotional modalities. Her choreographic practice is dedicated to crafting inclusive, safe spaces that encourage both personal and collective expression. Recognizing dance as a profound medium for connection, empowerment, and transformation, Maybelle’s works—such as [02:10], Still/Moving, and When Five Encounter — have graced stages across the UK, Europe, and Asia. Her choreography is celebrated for its accessibility and emotional depth, resonating with diverse audiences. Her latest work, The Slowness of Being, was featured at the 2024 International Youth Choreographer’s Project in Kaohsiung, Taiwan. www.maybellelek.org

Alice Ma

Graduated from the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (Honors) degree, majoring in Contemporary Dance and Choreography. Actively performs on stage and explores various mediums to showcase dance, collaborating with artists from different disciplines as well as art institutions and groups. Her recent works include City Contemporary Dance Company’s “I Don’t Mean It” (2021), Hong Kong Arts Festival’s “Ding Ding Ding Ding” (2021), and E-Side Dance Company’s “Leg” (2023).

Ma has received the “Tom Brown Emerging Choreographer” at the Hong Kong Dance Awards in 2020. She was also honored with the “The Award for Young Artist” by the Hong Kong Arts Development Awards the following year. Additionally, she has been nominated twice for the “Outstanding Choreography” award at the Hong Kong Dance Awards, for “Over-master” (2020) and “Night Run” (2023).

She has frequently participated in the “Hong Kong Jockey Club Contemporary Dance Platform” of the Hong Kong Arts Festival, with two of her works, “Wu” (2018) and “Over-master” (2019), “Wu” was presented at the Seoul New Dance for Asia International Dance Festival in Korea and received a 5-star review at the Edinburgh International Festival 2023. “Over-master” was invited to perform in Japan, Singapore, South Korea, and Macau. She is also a part-time instructor at the City Contemporary Dance Company’s Dance Centre and The Hong Kong Academy for Performing Arts. She founded AMPM Movement Theatre in 2023. www.alice-ma.com

Tung-chun Hsu

Tung-chun Hsu, a Kaohsiung native, is currently studying for a master’s degree in the Department of Dance at Taipei National University of the Arts. He majors in Cross-Disciplinary Corporeal Theories and Practice. He is a choreographer, dancer, and dance critic. He started professional dance training in high school, focusing on contemporary dance and exploring the interplay of text, body, and practice beyond traditional constraints.

Mohd Nuriqram

Mohd Nuriqram is a graduate with a Bachelor degree in Dance from the ASWARA. He majored in choreography (2020). He has represented Malaysia under the Faculty of Dance at the ASEAN-CHINA Joint Cultural Performance held in Siem Reap, Cambodia, and at Dance Festivals in Indonesia. He has created several choreographic works showcased in Gelombang Baru, Dancebox, Short and Sweet, Dancing Alone, Kontra, and Dancing Duo. He was awarded the Best Newcomer Award at the Short+Sweet Festival 2018 for his piece entitled “BODOH (Stupid)”. He has won various solo talent competitions, including 1st place in MSU Got Talent, 2nd place in All Talent Kuala Lumpur, and 4th place in Artistreet Dance.


Asia-Pacific Dance Dialogues explore current issues and viewpoints in dance around the region and the world, with invited dancers, choreographers, scholars and other dance practitioners. This monthly online series is hosted by World Dance Alliance chapters from the Asia-Pacific region, and reflects on topics in education and training, research and documentation, creation and presentation, and support and development.

Join us with your questions, share your unique perspectives, and strengthen your professional networks, as together we gain a deeper understanding and appreciation for dance in our world.

In 2024, these sessions are free and open to all; registration is required.

The First Session of Asia-Pacific Dance Dialogues!

First Steps Towards Publication, for Emerging Dance Scholars

If you’re an emerging dance scholar, placing your first publication in a respected peer-reviewed journal can seem like an impossible hurdle. Which journals are appropriate for your topic? What are the processes for submitting a paper? What can you expect after your paper is accepted? And where do you go from there?

Join dance scholars Sumedha Bhattacharyya (India) and Shanny Rann Chuah (Malaysia) in an online discussion as they share their experience of publishing articles in the Journal of Emerging Dance Scholarship. Emerging scholar Al Bernard Garcia (Philippines) will contribute his perspective from within the Southeast Asian dance academe.

Register now to join the discussion, and bring us your questions about writing for publication, working with editors, the pressure to publish, or predatory journals – get the tools you need to dance confidently towards publication!

Register here: https://forms.gle/ezS9FdjYnjX2kxcB8
Participation is free. Only registered participants will receive the link to the Zoom discussion.

Moderated by Bilqis Hijjas (Malaysia) and organised with Joelle Jacinto (Philippines).

Date: Thursday 21 March
Time: 5pm NZDT, 3pm AEDT, 12 noon CST, 10am BST, 9:30am IST, 4am GMT.
Find your time zone here
Platform: Zoom
Length of session: 90 minutes max

About the Speakers

Shanny Rann is a dance anthropologist and PhD Candidate in Gender, Sexuality and Women’s Studies at Simon Fraser University (Canada). Her current research focuses on Taijiquan in diaspora from the women’s perspective. She has been training under Master Li Rong of Sanxing Taiji in Vancouver, Canada since 2016. She is also the editor of Dance Central, the founder of Choreo Dance Film Festival and the curator of Cross-Cultural Dance Resources.

Sumedha Bhattacharyya is an interdisciplinary dance artist, choreographer, researcher, and dance filmmaker. She is pursuing her PhD in Ethnomusicology in University of Music and Performing Arts Graz (Austria), studying maternal memories and their relationship with sound and movement, in the context of mass migration and displacement. Currently a faculty member at Jindal School of Liberal Arts and Humanities, and guest faculty at Ashoka University, Barnard College for Women, Columbia University, she is teaching Screendance and Interdisciplinary seminar courses. She is also the founder of a dance film production, curation, research and educational collective initiative – Duet with Camera.

As an Erasmus Mundus Scholar, with a focus on screendance filmmaking, dance anthropology, and visual ethnography, she traveled, lived together, and collaborated with a range of forms, communities, and dance-theatre makers across local, national, and international locations. She is an Arts and Humanities Research Council (AHRC) awardee under Goldsmiths University (UK), for her project Water Nodes integrating motion capture technology with performance and intergenerational maternal memories.

Al Garcia is a Taiwan-based Filipino dance artist, choreographer, and educator. He received his MFA in Dance (Choreography) from Nanhua University, Taiwan and was awarded the 2024 Outstanding Alumni for Arts and Culture. He was previously a dance artist of Tjimur Dance Theatre (Taiwan). Al is a graduate of the Philippine High School for the Arts specializing in Philippine Folk Dance and received his diploma in dance from the University of the Philippines-Diliman. As an independent dance artist in Manila, he created choreographies for dance companies, theater productions, and cultural initiatives. Al also performs and does collaborative works in Japan, Malaysia, Taiwan, Vietnam, Singapore, USA and France. He won first prize at the WiFi Body Contemporary Dance Festival 2012 New Choreographers Competition (Philippines) and featured the winning piece at the Yokohama Dance Collection EX Showcase 2013 (Japan). His choreographies are distinct in integrating Philippine folk dance and contemporary dance idioms.

Al is also involved in education and community development work. He was part of the faculty and established the dance programs for Guang Ming College (Philipines) and Philippine High School for the Arts Senior High. He founded Guang Ming Dance Project in 2015 and is a member of the Contemporary Dance Network Manila.


Asia-Pacific Dance Dialogues explore current issues and viewpoints in dance around the region and the world, with invited dancers, choreographers, scholars and other dance practitioners. This monthly online series is hosted by World Dance Alliance chapters from the Asia-Pacific region, and reflects on topics in education and training, research and documentation, creation and presentation, and support and development.

Join us with your questions, share your unique perspectives, and strengthen your professional networks, as together we gain a deeper understanding and appreciation for dance in our world.

In 2024, these sessions are free and open to all; registration is required.