Stay tuned! More information coming soon:
Reserve the date from 18 to 22 June 2025 for the Dance Conference and Meetings
Jointly presented by World Dance Alliance Asia-Pacific and The Hong Kong Academy for Performing Arts.
Join five young choreographers who participated in this year’s International Young Choreographer Project in Kaohsiung, Taiwan, as they reflect on their experience and its vital necessity in today’s world.
Featuring: Featuring Yuchi Chen (Taiwan), Maybelle Lek (Singapore), Alice Ma (Hong Kong), Tung-chun Hsu (Taiwan) & Mohd Nuriqram (Malaysia).
Moderated by I-Fen Tung.
Organiser: World Dance Alliance Asia Pacific.
Date: Friday 20 September
Time: 13:30 TPE (UTC +8)
Find your local time zone here
Platform: Zoom
Length of session: 90 minutes max
Register for the Zoom session here: https://forms.gle/jWuZym7w43MToaGS8
Participation is free. Only registered participants will receive the link to the Zoom discussion.
Dance is indeed a profound physical experience that cannot be fully captured through a screen. The International Young Choreographer Project (IYCP) being able to gather again is incredibly exciting. The opportunity for dancers to interact face-to-face, share ideas, and experience the atmosphere of the event is invaluable. The isolation and restrictions during the pandemic have made us cherish such opportunities even more. This gathering inspired countless new ideas and innovative dance works!
IYCP comes to its 25th year, itâs a remarkable milestone. Its longevity demonstrates its significant impact and solid presence in the dance world. Over 25 years, it has witnessed the growth of countless dancers and the evolution of dance, potentially driving many innovative choreographies and performances. Such an event not only provides a platform for young choreographers to showcase their talents but also fosters global dance community exchange and collaboration. Each era finds its inspirational dialogue through such activities, and for young choreographers, this experience undoubtedly lays a solid foundation for the future development of dance.
We invite five young choreographers from IYCP this year to share their insights and experiences firsthand. Perhaps, after nearly two months since July, there is a more profound and extended reflection on everything that has occurred.
Since 1999, Asian Young Choreographer Project (named as International Young Choreographer Project/IYCP after 2009) has attracted more than 60 young choreographers from around the world. More than 300 dancers have been gathered in Taiwan, and around 70 dances have been created. Originally based in Taipei, for the better development of modern dance in southern Taiwan, the project has moved to Kaohsiung since 2005.
Established by Man-Fei Lo and later managed by Ra-Jung Liang, IYCP is currently led by Yunyu Wang and Su-Ling Chou, with the support from private as well as government organizations such as National Culture and Arts Foundation, Chin-Lin Foundation for Arts and Culture, Bureau of Cultural Affairs of Kaohsiung City Government, Tsoying Senior High School, and Tso’s Dance Association.
This year, five choreographers from Australia (WDA Asia Pacific), Malaysia (WDA Asia Pacific), Hong Kong (WDA Asia Pacific), Singapore (WDA Asia Pacific) and Bangladesh (WDA Asia Pacific), and three from Taiwan were selected. Tso’s Dance Association will continue to promote IYCP in bringing the dance in Taiwan to the international stage.
Tung I-Fen is a choreographer, performer, educator and curator. Tung works in various contexts, including dance, theater, film, contemporary music and technical art, among others, while laying her artistic practices in the agency and intersections of humanity, society and nature.
Tung has been an artist-in-residence at Cite Internationale des Arts in Paris, Colorado College and George Washington University in the USA. From 2020, Tung started to curate the program and host several projects such as Dance Park platform for freelance dancers, Unboxing: Live Art Arena for freelance artists, performing art program for Nuit Blanche. Since 2006, her works have been presented in London and Paris, as well as in Spain, the USA, Hong Kong, Singapore, Malaysia, the Philippines, and India. Tung also participated in several interdisciplinary productions, such as Dear John which won the performing award of 12th Taishin Arts Award. She is currently a full-time lecturer at the University of Taipei.
Yuchi Chen, born in Changhua City, Studied at National Taipei University of the Arts. He is currently a freelance artist. From 2019 to 2024, he was performing with MIR dance company under direction of Giuseppe Spota in Gelsenkirchen Theater in Germany, He has worked with choreographers such as Marcos Morau, Felix Landerer, Anat Oz and Fernando Melo and many others. His choreographic work, âThe Piece on your Seat,â was selected for the dance film screening at the 2022 SWEAT Hong Kong International Dance Festival.
*photo credit: çȘć ć€éææŻÂ·äŒèèČçŸ Machado Rios Isabel
Maybelle Lek (b. 1996) is a Singaporean dance artist based in Spain, specializing in performance, choreography, and education. After earning her Masterâs Degree from the Northern School of Contemporary Dance (UK), Maybelle performed with T.H.E. Second Company and Nagi Contemporary Dance Corps, where she has made significant influences in the Singapore dance scene. Maybelle’s work embraces the transformative power of imagination, creative risk-taking, and the continuous exploration of physical and emotional modalities. Her choreographic practice is dedicated to crafting inclusive, safe spaces that encourage both personal and collective expression. Recognizing dance as a profound medium for connection, empowerment, and transformation, Maybelle’s worksâsuch as [02:10], Still/Moving, and When Five Encounter â have graced stages across the UK, Europe, and Asia. Her choreography is celebrated for its accessibility and emotional depth, resonating with diverse audiences. Her latest work, The Slowness of Being, was featured at the 2024 International Youth Choreographer’s Project in Kaohsiung, Taiwan. www.maybellelek.org
Graduated from the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (Honors) degree, majoring in Contemporary Dance and Choreography. Actively performs on stage and explores various mediums to showcase dance, collaborating with artists from different disciplines as well as art institutions and groups. Her recent works include City Contemporary Dance Company’s “I Donât Mean It” (2021), Hong Kong Arts Festival’s “Ding Ding Ding Ding” (2021), and E-Side Dance Company’s “Leg” (2023).
Ma has received the “Tom Brown Emerging Choreographer” at the Hong Kong Dance Awards in 2020. She was also honored with the “The Award for Young Artist” by the Hong Kong Arts Development Awards the following year. Additionally, she has been nominated twice for the “Outstanding Choreography” award at the Hong Kong Dance Awards, for “Over-master” (2020) and “Night Run” (2023).
She has frequently participated in the “Hong Kong Jockey Club Contemporary Dance Platform” of the Hong Kong Arts Festival, with two of her works, “Wu” (2018) and “Over-master” (2019), “Wu” was presented at the Seoul New Dance for Asia International Dance Festival in Korea and received a 5-star review at the Edinburgh International Festival 2023. “Over-master” was invited to perform in Japan, Singapore, South Korea, and Macau. She is also a part-time instructor at the City Contemporary Dance Company’s Dance Centre and The Hong Kong Academy for Performing Arts. She founded AMPM Movement Theatre in 2023. www.alice-ma.com
Tung-chun Hsu, a Kaohsiung native, is currently studying for a master’s degree in the Department of Dance at Taipei National University of the Arts. He majors in Cross-Disciplinary Corporeal Theories and Practice. He is a choreographer, dancer, and dance critic. He started professional dance training in high school, focusing on contemporary dance and exploring the interplay of text, body, and practice beyond traditional constraints.
Mohd Nuriqram is a graduate with a Bachelor degree in Dance from the ASWARA. He majored in choreography (2020). He has represented Malaysia under the Faculty of Dance at the ASEAN-CHINA Joint Cultural Performance held in Siem Reap, Cambodia, and at Dance Festivals in Indonesia. He has created several choreographic works showcased in Gelombang Baru, Dancebox, Short and Sweet, Dancing Alone, Kontra, and Dancing Duo. He was awarded the Best Newcomer Award at the Short+Sweet Festival 2018 for his piece entitled âBODOH (Stupid)â. He has won various solo talent competitions, including 1st place in MSU Got Talent, 2nd place in All Talent Kuala Lumpur, and 4th place in Artistreet Dance.
Asia-Pacific Dance Dialogues explore current issues and viewpoints in dance around the region and the world, with invited dancers, choreographers, scholars and other dance practitioners. This monthly online series is hosted by World Dance Alliance chapters from the Asia-Pacific region, and reflects on topics in education and training, research and documentation, creation and presentation, and support and development.
Join us with your questions, share your unique perspectives, and strengthen your professional networks, as together we gain a deeper understanding and appreciation for dance in our world.
In 2024, these sessions are free and open to all; registration is required.
The June 2024 edition of Asia-Pacific Channels, the biannual magazine of World Dance Alliance Asia-Pacific, is here.
As usual, this edition features reports from our executive committee, our networks and our organisational chapters. Here are some highlights:
⊠as well as some beautiful and inspiring images of dance from across the region.
Download the magazine in PDF format [2.5MB]
Cover image, and above: Team Projonmo from Bangladesh performing ‘Fireflies’, choreographed by Md Hanif, at Chayanaut Cultural Center in Dhaka. Photo: Yeamin Muzumde
Back issues of Channels can be downloaded from here. The archive of Channels dating back to 1996 is available from the Ausdance website.
Dance as practise is offered in degree or diploma courses in some undergraduate and graduate institutions in South Asian countries. In comparison, Dance Studies is not a commonly offered subject at all. Today three young faculty from different institutions in Sri Lanka, Bangladesh and India discuss the scope, possibilities and challenges the subject faces as funds for arts education lessen all over the world, while the interest to continue dance education beyond practice increases within the performing arts ecology in South Asia.
The session is moderated by Urmimala Sarkar Munsi and promises to present a frank discussion between the three young people who navigate the terrain as faculty/ practitioners/ researchers of performing arts.
Featuring Chamanee Darshika (Sri Lanka), Zuairiyah Mouli (Bangladesh) and Amritha Shruthi (India).
Zoom Session Time: 14:00-15:30 (2pm to 3:30pm) IST, Thursday 27 June 2024
Register now to join the discussion, and bring us your questions about the development Dance Studies, in South Asia and in your own context!
Register here: https://forms.gle/jWuZym7w43MToaGS8
Participation is free. Only registered participants will receive the link to the Zoom discussion.
Moderator: Prof. Urmimala Sarkar Munsi
Facilitated by: Bilqis Hijjas.
Organiser: World Dance Alliance Asia Pacific.
Date: Thursday 27 June
Time: 12:00 IST
Find your time zone here
Platform: Zoom
Length of session: 90 minutes max
About the Speakers
Chamanee Darshika is a theatre practitioner, critic, and academic working at the intersections of Acting and Performance Studies. In 2023, she completed her postgraduate studies at the School of Arts and Aesthetics, JNU (India). She is currently reading for her MPhil degree on “Gendering Nurti and Sinhala Nationalism: The Emergence of Female Actors in the Early Modern Sinhala Theatre” at the University of the Visual and Performing Arts (Sri Lanka). She has also followed Kandyan dance, one of the local dance practices. She is a permanent faculty member in the Faculty of Dance and Drama at UVPA, and teaches Acting and Performance Studies-related courses. She is also a visiting lecturer at the Uva Wellassa University (Sri Lanka) and was a temporary assistant lecturer at the University of Kelaniya (Sri Lanka) in Drama and Theatre.
In her practice-based research, Chamanee explores the ways in which the actorâs body can be unlearned, and ways to reconnect with Indigenous practices and rituals in South Asian Cultures. Her research examines the relationship between personal and historical power relations to contextualize the historical construction of the gendered body and its performative elements. She was the curator of Movement Rhizome Atelier, and one of the panelists at the International Conference on Dance Studies, at the University of Peradeniya (Sri Lanka).
Zuairiyah Mouli has been pursuing dance for the last 18 years. In 2019, as an ICCR Scholar, she has completed her Masters in Performing Arts (Bharatnatyam) with Distinction from Bangalore University and completed her Diploma with Distinction from West Bengal Dance Group Federation’s Diploma, winning the gold medal. She has performed at prestigious dance venues in India, Bangladesh, Russia, France, USA and has been bestowed with Girnar Ratna and NatyaKalamani titles in 2019 from India. Her choreographed short productions “Endless Journey” and âArdhanarishwaraâ were selected for the World Dance Alliance Global Summit 2017 and 2019. She has had the privilege to work in productions under internationally acclaimed choreographers Akram Khan (UK), Donald Byrd (USA), Kathleen Weitz (USA), and Urmimala Sarker (India). Currently, she is working as an Assistant Director (Program Production, Dance) at Bangladesh Shilpakala Academy. She has also worked as a part time lecturer in the Department of Dance, University of Dhaka and Tagore University of Creative Arts.
Currently an Assistant Professor of Performance at the Department of Arts, Media and Performance, School of Humanities and Social Sciences, Shiv Nadar Institution of Eminence, Delhi-NCR, Amritha Shruthi is a trained dancer-performer closely mentored by dancer Geeta Chandran, and is an empanelled ICCR solo artist and a graded artist by the Doordarshan. Amritha submitted her PhD thesis at the School of Arts and Aesthetics, JNU, wherein she maps the historical effectiveness of performance festivals in India – with specific reference to dance in an attempt to locate alternate approaches to analyse dance history and performance-making. Amritha has extensively worked in K-12 schools across India as an Art Integrated Learning consultant, and closely trains teachers to develop new methodologies to teach and engage with art and concepts in the classroom.
Moderator
Urmimala Sarkar Munsi is the current President of World Dance Alliance Asia Pacific. She is a Professor and Dean of at the School of Arts and Aesthetics in Jawaharlal Nehru University, India. She is a social anthropologist / performance studies scholar and a trained dancer- choreographer, with research in socio-political assertions of identity through cultural practices.
Asia-Pacific Dance Dialogues explore current issues and viewpoints in dance around the region and the world, with invited dancers, choreographers, scholars and other dance practitioners. This monthly online series is hosted by World Dance Alliance chapters from the Asia-Pacific region, and reflects on topics in education and training, research and documentation, creation and presentation, and support and development.
Join us with your questions, share your unique perspectives, and strengthen your professional networks, as together we gain a deeper understanding and appreciation for dance in our world.
In 2024, these sessions are free and open to all; registration is required.
Journal of Emerging Dance Scholarship (JEDS) calls for submissions for its 11th edition, inviting original scholarly articles and reviews that critically engage with the theme: Complexities and Challenges in Dance/Dance Studies.
The journal offers a supportive forum for emerging scholars engaged in research and practice of dance. All submissions are double-blind peer reviewed. Authors must be pursuing a graduate degree such as M.A., M.F.A., Ph.D., equivalent, or be within five years of having graduated (the degree does not need to be in dance, but the article must be focused on dance).
More info about submissions and the theme on the JEDS website: https://jedsonline.in/2024-Call%20for%20Submissions,%20Jeds%20issue%20no%20XI
If you are an educator, scholar, or dancer concerned with the development of Asian dance cultures, this is the topic you are looking for. How have Asian dance cultures undergone transformations in dance higher education? The Asia-Pacific region is rich in dance culture history and resources. What are the implications of these historical legacies for contemporary dance culture and education? As the first state-owned dance school and the only higher education institution focusing specifically on dance in China, Beijing Dance Academy (BDA) will bring their years of experience in performance, academic research, talent training, and international cooperation on Asia-Pacific dance culture.
Zoom Session Time: 13:00-14:30 (1pm to 2:30pm) CST, Thursday 16 May 2024
Register now to join the discussion, and bring us your questions about dance culture in Asia-Pacific, international dance collaboration, and talent cultivation for dance higher education in China!
Register here: https://forms.gle/jWuZym7w43MToaGS8
Participation is free. Only registered participants will receive the link to the Zoom discussion.
Moderated by Lin Wang (Lynn) and organized by Beijing Dance Academy.
Date: Thursday 16 May
Time: 13:00 CST
Find your time zone here
Platform: Zoom
Length of session: 90 minutes max
About the Speakers
Dr. Xu Rui is the President and Professor of Beijing Dance Academy, Doctoral Supervisor of China Academy of Art. He is the Vice Chairman of China Musical Theater Association, Vice Chairman of Beijing Dancers Association and Beijing Literary Critics Association. He was selected by the National Ministry of Education for the âNew Century Outstanding Talentsâ program, and was awarded a full scholarship by the Asian Cultural Council of America (ACC).
Across the field of research and arts creation, he is the author of The Aesthetic And Self-Consciousness of Contemporary Chinese Folk Dance Creation, which is awarded the first prize of the Ninth China Federation of Literature and Art Criticism. He has created more than ten famous dance dramas and musicals, which have won the Wenhua Grand Prize, the highest honor for theatre arts creation in China. He is the founder of the âArtsCrossâ, the contemporary dance creation and research program, which has a significant impact for the international dance community.
Dr. Zhibo Zhao is a highly trained dancer-choreographer and practice-based researcher who was awarded National First-Rank Dance Artist by the Chinese government. She received her professional training in Chinese Classical Dance at the age of 10 at the Affiliated Secondary School of Beijing Dance Academy (BDA) and later obtained her BA and MFA degrees at BDA. As a leading dancer with the BDA Dance Company, she performed Chinese dances in over 40 countries. Among these, she has been an associate artist of the ArtsCross project, an international intercultural dance research project, since 2009.
Zhibo moved to London in 2018 to pursue her PhD at Middlesex University, focusing on dance improvisation in relation to Chinese dance and dancers, and was awarded her doctorate in her viva with the proud distinction of having no corrections. In the UK dance sector, she has worked tirelessly to deliver talks and workshops on Chinese dance and created short and full-length works with her unique cultural perspective. Not only that, but together with her partner, their short-dance video account has created the miracle of having over 10 million followers on social media worldwide.
Qin Yanxi, Director of International Office of Beijing Dance Academy, member of International Education Committee of Chinese Society for Educational Development Strategy, council member of China Education Association for International Exchange, Secretary-General of the China-CEEC Dance Culture Union. She studied in the University of Reading and the University of Westminster in UK as a visiting scholar. She has been engaged in educational management and international cooperation and exchange in universities for many years and has rich working experience in higher education administration, international exchange and international student management.
Moderator
Lin WANG (Lynn) is PhD candidate at the University of Leeds, UK; Taipei Scholar of ArtsCross, an international dance research residency programme; Visiting Scholar at the School of Dance, The Hong Kong Academy for Performing Arts; she received her BA and MFA degrees from the Beijing Dance Academy; she published her academic translation in 2019, Body Space Expression:The Development of Rudolf Labanâs Movement and Dance Concepts; and the most recent result of her research is Tutorial for Analysing Dance Movements.
Asia-Pacific Dance Dialogues explore current issues and viewpoints in dance around the region and the world, with invited dancers, choreographers, scholars and other dance practitioners. This monthly online series is hosted by World Dance Alliance chapters from the Asia-Pacific region, and reflects on topics in education and training, research and documentation, creation and presentation, and support and development.
Join us with your questions, share your unique perspectives, and strengthen your professional networks, as together we gain a deeper understanding and appreciation for dance in our world.
In 2024, these sessions are free and open to all; registration is required.
If youâre an emerging dance scholar, placing your first publication in a respected peer-reviewed journal can seem like an impossible hurdle. Which journals are appropriate for your topic? What are the processes for submitting a paper? What can you expect after your paper is accepted? And where do you go from there?
Join dance scholars Sumedha Bhattacharyya (India) and Shanny Rann Chuah (Malaysia) in an online discussion as they share their experience of publishing articles in the Journal of Emerging Dance Scholarship. Emerging scholar Al Bernard Garcia (Philippines) will contribute his perspective from within the Southeast Asian dance academe.
Register now to join the discussion, and bring us your questions about writing for publication, working with editors, the pressure to publish, or predatory journals â get the tools you need to dance confidently towards publication!
Register here: https://forms.gle/ezS9FdjYnjX2kxcB8
Participation is free. Only registered participants will receive the link to the Zoom discussion.
Moderated by Bilqis Hijjas (Malaysia) and organised with Joelle Jacinto (Philippines).
Date: Thursday 21 March
Time: 5pm NZDT, 3pm AEDT, 12 noon CST, 10am BST, 9:30am IST, 4am GMT.
Find your time zone here
Platform: Zoom
Length of session: 90 minutes max
Shanny Rann is a dance anthropologist and PhD Candidate in Gender, Sexuality and Womenâs Studies at Simon Fraser University (Canada). Her current research focuses on Taijiquan in diaspora from the women’s perspective. She has been training under Master Li Rong of Sanxing Taiji in Vancouver, Canada since 2016. She is also the editor of Dance Central, the founder of Choreo Dance Film Festival and the curator of Cross-Cultural Dance Resources.
Sumedha Bhattacharyya is an interdisciplinary dance artist, choreographer, researcher, and dance filmmaker. She is pursuing her PhD in Ethnomusicology in University of Music and Performing Arts Graz (Austria), studying maternal memories and their relationship with sound and movement, in the context of mass migration and displacement. Currently a faculty member at Jindal School of Liberal Arts and Humanities, and guest faculty at Ashoka University, Barnard College for Women, Columbia University, she is teaching Screendance and Interdisciplinary seminar courses. She is also the founder of a dance film production, curation, research and educational collective initiative – Duet with Camera.
As an Erasmus Mundus Scholar, with a focus on screendance filmmaking, dance anthropology, and visual ethnography, she traveled, lived together, and collaborated with a range of forms, communities, and dance-theatre makers across local, national, and international locations. She is an Arts and Humanities Research Council (AHRC) awardee under Goldsmiths University (UK), for her project Water Nodes integrating motion capture technology with performance and intergenerational maternal memories.
Al Garcia is a Taiwan-based Filipino dance artist, choreographer, and educator. He received his MFA in Dance (Choreography) from Nanhua University, Taiwan and was awarded the 2024 Outstanding Alumni for Arts and Culture. He was previously a dance artist of Tjimur Dance Theatre (Taiwan). Al is a graduate of the Philippine High School for the Arts specializing in Philippine Folk Dance and received his diploma in dance from the University of the Philippines-Diliman. As an independent dance artist in Manila, he created choreographies for dance companies, theater productions, and cultural initiatives. Al also performs and does collaborative works in Japan, Malaysia, Taiwan, Vietnam, Singapore, USA and France. He won first prize at the WiFi Body Contemporary Dance Festival 2012 New Choreographers Competition (Philippines) and featured the winning piece at the Yokohama Dance Collection EX Showcase 2013 (Japan). His choreographies are distinct in integrating Philippine folk dance and contemporary dance idioms.
Al is also involved in education and community development work. He was part of the faculty and established the dance programs for Guang Ming College (Philipines) and Philippine High School for the Arts Senior High. He founded Guang Ming Dance Project in 2015 and is a member of the Contemporary Dance Network Manila.
Asia-Pacific Dance Dialogues explore current issues and viewpoints in dance around the region and the world, with invited dancers, choreographers, scholars and other dance practitioners. This monthly online series is hosted by World Dance Alliance chapters from the Asia-Pacific region, and reflects on topics in education and training, research and documentation, creation and presentation, and support and development.
Join us with your questions, share your unique perspectives, and strengthen your professional networks, as together we gain a deeper understanding and appreciation for dance in our world.
In 2024, these sessions are free and open to all; registration is required.
Happy New Year! The December 2023 edition of Asia-Pacific Channels is here. This biannual magazine of World Dance Alliance Asia-Pacific features reports from our executive committee, our organisational chapters and our partner organisation WDAAE.
If you don’t have time to read the whole thing, please do check out Stella Lau’s comprehensive summary of all the organisational chapter reports in her Vice President’s report on page 3, and flip through for the beautiful and inspiring images of dance from across the Asia-Pacific.Â
Download the magazine in PDF format [2.6MB].
Cover image and above: âTreble Ideaâ, choreographed by Ethel Deidre Daniel and performed by students of the National Academy of Arts, Culture & Heritage (ASWARA), at Dancebox September 2023, Kuala Lumpur Performing Arts Centre, Malaysia. Photo: Benedict Yee
Back issues of Channels can be downloaded from here. The archive of Channels dating back to 1996 is available from the Ausdance website.
The biannual magazine of World Dance Alliance Asia-Pacific contains reports from our executive committee, our network chairs and our organisational chapters.
Some highlights in this edition:
…as well as beautiful and inspiring images of dance from across the Asia-Pacific.
Download the magazine in PDF format [5.31MB].
Cover image of this edition and above: The WDA contingent at daybreak at the UNESCO World Heritage Site Khajuraho temples, during the Khajuraho Dance Festival 2023, India. Photo: Dance Alliance India
Back issues of Channels can be downloaded from here. The archive of Channels dating back to 1996 is available from the Ausdance website.
The biannual magazine of World Dance Alliance Asia-Pacific contains reports from our executive committee, our network chairs and our country chapters.
Some highlights in this edition:
âŠas well as beautiful and inspiring images of dance from across the Asia-Pacific region.
Download the magazine in PDF format [3.3MB]:
Cover image of this edition, and above: Students of Peniel High School of Arts in ‘Rain on the Fresh Green’, a performance at the Young Dance Festival at the 2022 World Dance, Expo in Seoul, at Seong Center for the Performing Arts, 30-31 August 2022, produced by World Dance Alliance – Korea. Photo: Hanfilm.
Back issues of Channels can be downloaded from here. The archive of Channels dating back to 1996 is available from the Ausdance website.